My first quilt – a patchwork Alison Glass observatory throw quilt

Well, I never! If you’d told me 10 years ago I’d be making a quilt in 2020, I’d have split my sides on the floor laughing. Not because I’m a horrible person, but I would never have imagined myself to have the patience, interest and wherewithall to actually make such a thing. Even after I started making clothes, I regarded quilt-making as anOTHER craft. We don’t have a big quilt-making tradition in Scotland and so I saw it mostly as a charming, but quaint, American custom. I could see the appeal in theory but in practice found a lot of the quilts I saw pretty chintzy and not to my taste. Slowly, however, I became aware of modern quilting and started to see wonderful fresh (to my eyes) designs on Instagram here and there. I knew some of my favourite fabric designers, such as Carolyn Friedlander, Cotton + Steel and Ruby Star Society really dealt primarily with quilt fabrics and when I saw what quilters were producing with their fabric I started to be drawn in.

What really led me to actually making one, though, was that I planned to make a quilt to commemorate my parent’s golden wedding anniversary. I picked out a pattern and fabrics – and then realised I neither had a clue where to start, nor the necessary skills to sew such an important gift to a half-decent standard. Covid-19 arrived and during the US Presidential election week, I found myself casting around for something interesting, but not too technical, that I could do sitting in the living room, watching the news, rather than behind the sewing machine. So I came to the idea of a bright, colourful and very simple quilt. I could learn some skills and cheer myself up with the rainbow hues of Alison Glass’ Observatory Collection prints at the same time. Bingo!

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My #SewingTop5 Hits of 2020!

It’s the 20th of December! Argh! When did that happen? I’m actually reasonably organised for the holidays this year (I say this tentatively in case I’m tempting fate here) but I haven’t done a whole lot of sewing the last few weeks (at least, garment sewing) and I completely forgot about the end of year round-ups, which I love to take part in. I have lots of thoughts about the Year That Was 2020, but I’ll perhaps save those for the longer Reflections and Plans post I’ll do last. For now, here is my Sewing Top 5 Hits take that is part of a traditional round-up series from Gillian/The Sewcialists that I’ve taken part in for four years now. (Here are the same posts from 2019, 2018 and 2017 if you’re interested). Next up with be Sewing Fails and then the aforementioned Reflections post for 2020.

Without further ado, here are my #SewingTop5 Hits for 2020. It was actually really hard to pick this year. As I looked through my year’s sewing, I felt like a lot of my garments in 2020 had turned out rather well and the proportion of items I’m wearing on a regular basis is very high. This is in no small part down to the fact that I made a couple of intentional capsule wardrobes this year and the items from them are in high rotation. As always, it begs the question of how you classify your “best” makes and it’s not easy. I’ve gone for a mixture and here they are!

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New test: The Willa Coat from Jennifer Lauren

Regular readers of this blog will know I enjoy testing patterns for Jennifer: the instructions are always superb; I always learn something new and, most importantly, end up with a very wearable garment. When I saw her Instagram tease back in July (wow – was it that long ago??) that she was releasing her first coat pattern this autumn, I was interested for the above reasons – and also because of the gorgeous looking tease pic! Luckily, I managed to get a test spot for the size 18 (Jennifer is very fair and allocates tests as they are applied for on a first come, first served basis). It was such an enjoyable project and there’s a ton to say about it, so settle in for the details*…

*or skip through the pictures. I won’t be offended.

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New dress: Irma shirtdress by I AM Patterns

So…yes… now for a definite bit of Covid frosting and some much needed distraction from current affairs! If you don’t know what “frosting” is in terms of sewing (or “icing” for us Brits), it’s the type of frivolous, exuberant sewing that doesn’t necessarily encompass the most practical, everyday of garments, but is sewing for the fun of it, using a striking pattern or perhaps some flamboyant fabric. And as you can see, I decided to combat the approaching winter blues by going for optimum frosting with colourful choices for both pattern and fabric. Ha!

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New dress: The Seamwork Devon for November

The Seamwork Devon is one of the November patterns for Seamwork and boy, are they both corkers this month! I would normally have sewn up both of them, had I not just finished making a bunch of jackets and coats, but I can tell you I’m really looking forward to seeing what everyone does with the Baz. Maybe I’ll come back to it early next year.

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New test: The Charlie Caftan from Closet Core Patterns in extended sizing

Well, I ended my last post by saying I would post this pattern test as soon as I were able to, but hadn’t realised that Closet Core Patterns had updated the Charlie Caftan extended sizing the same day as the Kalle pattern! Hah. I have the Kalle as a digital pattern, so got the update automatically, but as my Charlie pattern is a paper copy, I hadn’t realised, as I wouldn’t have received that update. At this point it’s pretty much impossible to know who has bought a paper pattern, I guess!

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New test: The Kalle shirtdress in extended sizing and a D cup

Oh happy days! It’s so lovely when some of your favourite patterns come in, or are extended to, your sizing. I’ve made the Closet Core Patterns Kalle pattern before and absolutely loved the process – it’s been on my list to make again ever since (I am not too great at repeating patterns as you may have noticed, but it is something I’m predicting will become more common for me, as fewer new patterns “catch my eye” these days. I guess I just have quite a few now!). I made my last Kalle crop top in regular sizing, which was fine, but I had to do a FBA on my D cup bust and it was a little tricky, given the fact it’s a dartless top. Looking back at my post, there are a few other fitting issues I can see that were beyond my skill level then, but could probably be adjusted these days.

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New top: The Flor Top from Bella Loves Patterns

Karma’s a bitch, as they say. There are several things that sensible sewists should not to do when working on a project and I committed a cardinal sin of sewing the other day. This massive ding-dong was to post a picture on Instagram of my bias binding progress, while making a jokey comment about how I rarely make a muslin. And, of course, this finished project is a very good example of why you should make a muslin, and particularly when you’re using a new-to-you designer. That’ll teach me.*

*Probably not.

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New skirt: Seamwork Sawyer plus a new Maya top

I mentioned a few weeks ago that I can’t seem to stop making green things, but August has definitely been The Month Of Pink. This weird Covid-19 period has had a whole range of effects on different people, from what I can tell. Talking to my sewing friends, some people haven’t sewn much at all and have found knitting or crocheting to be more soothing during this time. For me, it’s almost the opposite. I’ve had little periods where I couldn’t muster up the creativity for anything at all, but then have almost-manic bursts when I just want to sew 24/7. This has actually proved useful in terms of wardrobe planning, because I’ve ended up making two things that go together, more often than not.

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New top: The Cuff Top from The Assembly Line Patterns

You may have seen this top knocking about on Instagram or Facebook, as I have. It’s a simple enough design, but there was something about those cuff sleeves that kept piquing my interest.  Since I have no shortage of simple woven top patterns, I managed to resist until I saw the paper version at Drygoods Design stall at Sew Expo this year (pretty much my last social occasion pre-lockdown) and had a moment of weakness. I’ve made two versions, the second being more of a mash-up with the Maya, and I have some mixed feelings about the project, although mostly positive.

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